Bibliography & References

Bibliography & References used during the Academic year 15th September 2016 - 19 July 2017


Bibliography

Abreu, M. (2016, December 12). Anemine. Retrieved from Miguel Abreu Gallery: http://miguelabreugallery.com/exhibitions/anemine/
Anderson, K. (2015). Ethics, Ecology, and the Future: Art and Design Face the Anthropocene. Leonardo, 48(4), 338-347. Retrieved May 23, 2017, from http://muse.jhu.edu.libaccess.hud.ac.uk/article/587785/pdf
Anselmino, P. (2015, 10 05). Graduate Student in Anthropology, Birkbeck Colledge, London. Retrieved from www.Academia.edu: www.academia.edu/13590467/Grief_and_mourning_as_social_constructs_Are_emotions_culturally_relative
Bailey, S. (2014). Oliver Laric. Artforum International, 52(5), 223. Retrieved from http://search.proquest.com.libaccess.hud.ac.uk/docview/1490958943?pq-origsite=summon
Baker, J. A. (1967). The Peregrine (2015 Edition ed.). London: HarperCollins.
Baker, J. A. (2015). The Peregrine. London: Harper Collins.
Baraklianou, S. (2017). A lecture entitled "Pixel". In G. Hadfield (Ed.). Retrieved from http://grahamhadfieldart.blogspot.co.uk/2017/02/the-idea-of-pixel-as-subject-of-enquiry.html
Barrett, E., & Bolt, B. (2009). Practice as Research: Approaches to Creative Arts Enquiry. London: I.B. Taurus & Co.
Benson, N., Collin, C., Ginsburg, J., Grand, V., Lazyan, M., & Weeks, M. (2012). The Psychology Book. London: Dorling Kindersley Limited.
Berger, J. (1980, 2009). About Looking: Why look at Animals. London, Berger, J. (2009). About looking. London: Bloomsbury.: Bloomsbury. Retrieved from https://itp.nyu.edu/classes/interspecies/texts/johnBerger.pdf
Berger, P. L., & Luckmann, T. (1967). The Social Construction of Reality: A Treatise in the sociology of knowledge. London: Allen Lane.
Bigham, J. (2008, 2015). Succeeding with Your Master s Dissertation: A Step-by-Step Handbook. London, United Kingdom: Open University Press.
BioMEDIA Associates, LLC. (2013). The Human Eye. Beaufort, South Carolina, US. Retrieved from https://www.ebiomedia.com/
Bogdan, R. C., & Biklen, S. K. (2003 (4th Edition)). Qualitative research for education: An Introduction to Theory & Methods. London: Pearson Education.
Bourriaud, N. (2002). Postproduction. New York: Lukas & Sternberg.
Bridges, W. (2009 (3rd Edition)). Managing Transitions. Philadelphia, United States: De Capo Publishing.
Brizee, A., Tompkins, J., & Chernouski, L. (2010, April 21). Moral Criticism and Dramatic Construction (~360 BC-present). (I. U. Perdue University, Producer) Retrieved from Perdue Online Writing Lab: https://owl.english.purdue.edu/owl/resource/722/02/
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Bryant, L. (2014, December 12). Correlationism – An Extract from The Meillassoux Dictionary. Retrieved from Edinburgh University Press (Blog): https://euppublishingblog.com/2014/12/12/correlationism-an-extract-from-the-meillassoux-dictionary/
Buchloh, B. H. (2005). Gerhard Richter, Paintings from 2003-2005. New York: Marian Goodman Gallery.
Carson, R. (1962 (1999 Ed.)). Silent Spring. London: Penguin Books.
Carter, P. (2010). Interest: The Ethics of Invention. In B. &. Bolt, E. Barrett, & B. Bolt (Eds.), Practice as Research: Approaches to Creative Arts Enquiry (pp. 15-25). London: I. B. Taurus & Co Ltd.
Charlesworth, J. (2015, Summer). The End of Human Experience. Retrieved from Art Review: https://artreview.com/opinion/summer_2015_opinion_jj_charlesworth/
Coates, M. (2016). Becoming Something Else. In F. Ramos, Animals: Documents of Contemporary Art (pp. 124-126). London: Whitechapel Gallery & The MIT Press, Cambridge, Massachusetts.
Cocker, M. (2010). Introduction to J.A. Bakers' The Peregrine and Hill of Summer. London: Harper Collins Publishing.
Critchley, S. (1997). Very Little... Almost Nothing: Death, Philosophy, Literature. London: Routledge.
Critchley, S. (2001). Continental Philosophy. Oxford: Oxford University Press.
Darwin, C. ((1873) retrieved 2015, November 9). Google Books - The Expression of the Emotions in Man and Animals (1873). Retrieved from books.googleusercontent/books: https://books.google.co.uk/books/download/The_Expression_of_the_Emotions_in_Man_an.pdf
Dean, T. (2006). Tacita Dean. London: Phaidon Press.
Debord, G. (1967 (Translation by Ken Knabb, 2004)). Society Of the Spectacle. London: Rebel Press.
Dercon, C. (. (1996). Face a l'Histoire Centre Georges Pompidou,1980-1996. Paris: Centre Georges Pompidou / Flammarion.
Descartes, R. (1637). (2004) [1637]. A Discourse on Method: Meditations and Principles. (Vol. IV). (J. Veitch, Trans.) Orion Publishing Group. doi:ISBN 9780460874113.
Dolphijn, R., & van der Tuin, I. (2012). New Materialism: Interviews and Cartographies. Michigan: Open Humanities Press.
Dooren, T. V. (2016). Flight Ways: Life & Loss at the Edge of Extinction. New York: Columbia University Press.
Dreisbach, C. (2000, March). Dreams in the history of philosophy. Dreaming, 10(1), 31-41. Dreaming: The Association for the Study of Dreams (American Psychological Association), 31-41. Retrieved from Association for the Study of Dreams: http://search.proquest.com/docview/1027832130?accountid=11526
Duchamp, M. (1957). Meeting of The American Federation of the Arts 1957 - The Creative Act. Art News, Volume 56 No 4 (p. 2). Huston, Texas: The University of Texas. Retrieved 12 12, 2016, from http://courses.ischool.utexas.edu/kimsmith/2007/Fall/INF385H/Duchamp_CreativeAct.pdf
Esman, A. H. (2011, February). Psychoanalysis and Surrealism: André Bretton & Sigmund Freud. Journal of the American Psychoanalytic Association, 59(1), 173-177. DOI: 10.1177/0003065111403146
Furness, R. S. (1973). Expressionism: The Critical Idiom. London: Methuen.
Godfrey, D. M. (2011, October 6). Gerhard Richter, Room Guide, Panorama Exhibition, 2011. (N. Serota, Producer, & Tate Modern) Retrieved 11 26, 2015, from Tate Modern: http://www.tate.org.uk/whats-on/exhibition/gerhard-richter-panorama/gerhard-richter-room-guide/room-thirteen
Gray, C., & Malins, J. (2004). Visualizing Research: a Guide to Research Process in Art & Design. Farnham, Surrey: Ashgate.
Gray, J. (2014). The Silence of Animals: On Progress and Other Modern Myths. London: Granta Books.
Gray, J. (2003). Straw Dogs: Thoughts on Humans and Other Animals. London: Granta Books.
Hadfield, G. (2017, February 11). Some notes on the acuity of eyesight in raptors, and thinking about their perception of images in relation to our own. Retrieved from Observations of Graham Hadfield; Reflections of Our World: http://grahamhadfieldart.blogspot.co.uk/2017/02/some-notes-on-acuity-of-eyesight-in.html
Hage, J., Elgar, D., Butin, H., & Dickson, A. (n.d.). Gerhard Richter. (J. Hage, Editor) Retrieved November 29, 2015, from Gerhard Richter: https://www.gerhard-richter.com/en/art/paintings/photo-paintings/household-icons-39/table-4954
Hale, J. (2013, 05 29). Harman on Heidegger: Buildings as Tool Beings. Retrieved from www.bodyoftheory.com: http://bodyoftheory.com/2013/05/29/harman-on-heidegger-buildings-as-tool-beings/
Haraway, D. J. (2008). When Species Meet. Minneapolis: University of Minnesota Press, Minneapolis.
Harman, G. (2007, 12 08). Heidegger Explained: From Phenomenon to Thing. New York, NY, USA: Open Court. Retrieved from Retrieved from http://www.ebrary.com
Harman, G. (2009). Prince of Networks: Bruno Latour and Metaphysics. Melbourne: Re-Press.
Harman, G. (2010, July 23). A Brief SR/OOO Tutorial. Retrieved from Object Oriented Philosophy, Wordpress blog, by Graham Harman: https://doctorzamalek2.wordpress.com/2010/07/23/brief-srooo-tutorial/
Harman, G. (2011). The Road to Objects. Continent, 3.1 171-179.
Harraway, D. (2016). Companion Species Manifesto: Dogs, People and Significant Otherness (2003). In F. Ramos, Animals: Documents of Contemporary Art (pp. 191-202). Cambridge, Massachusetts: Co-published by Whitechapel Gallery (London) and The MIT Press.
Hawthorn, E. W. (1995). Art & Visual Philosophy. doi:10.2307/3333521
Hoare, P. (2013, November 18). Leviathan: the film that lays bare the apocalyptic world of fishing. Retrieved from The Guardian Newspaper, On-Line: https://www.theguardian.com/film/2013/nov/18/leviathan-fishing-film-moby-dick
Ingold, T. (2007, 2016). Lines: A Brief History. Oxford: Routledge.
Izard, C. (1993). Four systems for emotion activation: Cognitive and noncognitive processes. Psychological Review, 100(1), 68-90. doi:doi:http://dx.doi.org/10.1037/0033-295X.100.1.68
Izard, C. E. (1972). The Patterns of Emotions. New York: Academic Press.
Jarvis, M. (2007). Articulating the tacit dimension in art making. Journal of Visual Art Practice, 6(3), 201-213. doi:10.1386/jvap.6.3.201/1
Kant, I. (1871 (2003)). The Critique of Pure Reason. (Konigsberg): Project Gutenberg. Retrieved from http://www.gutenberg.org/files/4280/4280-h/4280-h.htm
Kettemann, B. (2014). Semiotics of Advertising and the Discourse of Consumption. In B. Flath, & E. Klein, Advertising & Design: Interdisciplinary Perspectives on a Cultural Field [Transcript] (pp. 45-60). Bielefeld: Verlag.
Kovats, T. (2005). The drawing book: A survey of drawing, the primary means of expression. London: Black Dog Publishing.
Lauterwein, A. (2007). Anselm Kiefer / Paul Celan - Myth, Mourning and Memory (2nd Edition ed.). London: Thames & Hudson.
LeBuffe, M. (2015, January 27). Spinoza's Psychological Theory, Spring 2015 Edition. (E. N. (ed.), Editor) Retrieved December 10, 2015, from Stanford Encyclopedia of Philosophy (Spring 2015 Edition): http://plato.stanford.edu/archives/spr2015/entries/spinoza-psychological/
Levy, L. (2009). The question of Photographic Meaning in Roland Barthes' 'Camera Lucida'. Philosophy Today, 53(Winter, 4), 395-406.
Lucas, D., & McManus, M. (2015, August 26). Tomkins & Izard: Theories Compared. Retrieved from Tomkins Institute: http://www.tomkins.org/tomkins-topics/theory/tomkins-and-izard-theories-compared/
Macdonald, H. (2006, 2016 ed.). Falcon. London: Reaktion Books.
Macdonald, H. (2014). H is for Hawk. London: Jonathan Cape, Vintage, Penguin Random House.
Mackay, R., Pendrell, L., & Trafford, J. (2014). Speculative Aesthetics. Falmouth: Urbanomic Media Ltd.
Mahon, J. E. (2015, December 10). Descartes vs. Spinoza on Substance and Attributes. Retrieved from Modern Philosophy, Washington & Lee University, School of Law: http://home.wlu.edu/~mahonj/Spinoza.Descartes.htm
Markus, M. L. (2001). Toward a theory of knowledge reuse: Types of knowledge reuse situations and factors in reuse success. Journal of Management Information Systems, 18(1), 57-93. Retrieved December 5, 2016, from Retrieved from http://search.proquest.com/docview/218924011?accountid=1152
Marten, H. (2106, December 16). Helen Marten: My Influences. Retrieved from https://frieze.com/: https://frieze.com/article/helen-marten-my-influences
Massumi, B. (1995). The Autonomy of Affect. Cultural Critique, (31), 83–109.
Massumi, B. (2015). The Supernormal Animal. In R. Grusin, The Nonhuman Turn (pp. 1-17). Minneapolis: University of Minnesota Press.
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Muis, K. R., & Gierus, B. (2014). Beliefs About Knowledge, Knowing, and Learning: Differences Across Knowledge Types in Physics. THE JOURNAL OF EXPERIMENTAL EDUCATION, 83(3), 408-430. doi:10.1080/00220973.2013.813371
Mulhearn, R. (2017). Stand Still; explorations in the documentary image. A Lecture in Digital Media Processes (pp. 21-22). Huddersfield: University of Huddersfield.
Nagel, T. (1974). What is It Like to Be a Bat? In F. Ramos, Animals: Documents of Contemporary Art (pp. 127-131). London: Whitechapel Gallery & MIT Press, Cambridge, Massachusetts.
Nathanson, D. L. (1992). Shame and Pride: Affect, Sex, and the Birth of the Self (Chapter 2). New York: W.W. Norton. Retrieved December 10, 2015, from Wikipedia: https://en.wikipedia.org/wiki/Affect_theory#cite_note-2
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