Bibliography & References

Bibliography & References used during the Academic year 15th September 2016 - 19 July 2017


Abreu, M. (2016, December 12). Anemine. Retrieved from Miguel Abreu Gallery:
Anderson, K. (2015). Ethics, Ecology, and the Future: Art and Design Face the Anthropocene. Leonardo, 48(4), 338-347. Retrieved May 23, 2017, from
Anselmino, P. (2015, 10 05). Graduate Student in Anthropology, Birkbeck Colledge, London. Retrieved from
Bailey, S. (2014). Oliver Laric. Artforum International, 52(5), 223. Retrieved from
Baker, J. A. (1967). The Peregrine (2015 Edition ed.). London: HarperCollins.
Baker, J. A. (2015). The Peregrine. London: Harper Collins.
Baraklianou, S. (2017). A lecture entitled "Pixel". In G. Hadfield (Ed.). Retrieved from
Barrett, E., & Bolt, B. (2009). Practice as Research: Approaches to Creative Arts Enquiry. London: I.B. Taurus & Co.
Benson, N., Collin, C., Ginsburg, J., Grand, V., Lazyan, M., & Weeks, M. (2012). The Psychology Book. London: Dorling Kindersley Limited.
Berger, J. (1980, 2009). About Looking: Why look at Animals. London, Berger, J. (2009). About looking. London: Bloomsbury.: Bloomsbury. Retrieved from
Berger, P. L., & Luckmann, T. (1967). The Social Construction of Reality: A Treatise in the sociology of knowledge. London: Allen Lane.
Bigham, J. (2008, 2015). Succeeding with Your Master s Dissertation: A Step-by-Step Handbook. London, United Kingdom: Open University Press.
BioMEDIA Associates, LLC. (2013). The Human Eye. Beaufort, South Carolina, US. Retrieved from
Bogdan, R. C., & Biklen, S. K. (2003 (4th Edition)). Qualitative research for education: An Introduction to Theory & Methods. London: Pearson Education.
Bourriaud, N. (2002). Postproduction. New York: Lukas & Sternberg.
Bridges, W. (2009 (3rd Edition)). Managing Transitions. Philadelphia, United States: De Capo Publishing.
Brizee, A., Tompkins, J., & Chernouski, L. (2010, April 21). Moral Criticism and Dramatic Construction (~360 BC-present). (I. U. Perdue University, Producer) Retrieved from Perdue Online Writing Lab:
Brown, W. (2001). Thing Theory. Critical Inquiry, 28(1), pp. 1-22.
Bryant, L. (2014, December 12). Correlationism – An Extract from The Meillassoux Dictionary. Retrieved from Edinburgh University Press (Blog):
Buchloh, B. H. (2005). Gerhard Richter, Paintings from 2003-2005. New York: Marian Goodman Gallery.
Carson, R. (1962 (1999 Ed.)). Silent Spring. London: Penguin Books.
Carter, P. (2010). Interest: The Ethics of Invention. In B. &. Bolt, E. Barrett, & B. Bolt (Eds.), Practice as Research: Approaches to Creative Arts Enquiry (pp. 15-25). London: I. B. Taurus & Co Ltd.
Charlesworth, J. (2015, Summer). The End of Human Experience. Retrieved from Art Review:
Coates, M. (2016). Becoming Something Else. In F. Ramos, Animals: Documents of Contemporary Art (pp. 124-126). London: Whitechapel Gallery & The MIT Press, Cambridge, Massachusetts.
Cocker, M. (2010). Introduction to J.A. Bakers' The Peregrine and Hill of Summer. London: Harper Collins Publishing.
Critchley, S. (1997). Very Little... Almost Nothing: Death, Philosophy, Literature. London: Routledge.
Critchley, S. (2001). Continental Philosophy. Oxford: Oxford University Press.
Darwin, C. ((1873) retrieved 2015, November 9). Google Books - The Expression of the Emotions in Man and Animals (1873). Retrieved from books.googleusercontent/books:
Dean, T. (2006). Tacita Dean. London: Phaidon Press.
Debord, G. (1967 (Translation by Ken Knabb, 2004)). Society Of the Spectacle. London: Rebel Press.
Dercon, C. (. (1996). Face a l'Histoire Centre Georges Pompidou,1980-1996. Paris: Centre Georges Pompidou / Flammarion.
Descartes, R. (1637). (2004) [1637]. A Discourse on Method: Meditations and Principles. (Vol. IV). (J. Veitch, Trans.) Orion Publishing Group. doi:ISBN 9780460874113.
Dolphijn, R., & van der Tuin, I. (2012). New Materialism: Interviews and Cartographies. Michigan: Open Humanities Press.
Dooren, T. V. (2016). Flight Ways: Life & Loss at the Edge of Extinction. New York: Columbia University Press.
Dreisbach, C. (2000, March). Dreams in the history of philosophy. Dreaming, 10(1), 31-41. Dreaming: The Association for the Study of Dreams (American Psychological Association), 31-41. Retrieved from Association for the Study of Dreams:
Duchamp, M. (1957). Meeting of The American Federation of the Arts 1957 - The Creative Act. Art News, Volume 56 No 4 (p. 2). Huston, Texas: The University of Texas. Retrieved 12 12, 2016, from
Esman, A. H. (2011, February). Psychoanalysis and Surrealism: André Bretton & Sigmund Freud. Journal of the American Psychoanalytic Association, 59(1), 173-177. DOI: 10.1177/0003065111403146
Furness, R. S. (1973). Expressionism: The Critical Idiom. London: Methuen.
Godfrey, D. M. (2011, October 6). Gerhard Richter, Room Guide, Panorama Exhibition, 2011. (N. Serota, Producer, & Tate Modern) Retrieved 11 26, 2015, from Tate Modern:
Gray, C., & Malins, J. (2004). Visualizing Research: a Guide to Research Process in Art & Design. Farnham, Surrey: Ashgate.
Gray, J. (2014). The Silence of Animals: On Progress and Other Modern Myths. London: Granta Books.
Gray, J. (2003). Straw Dogs: Thoughts on Humans and Other Animals. London: Granta Books.
Hadfield, G. (2017, February 11). Some notes on the acuity of eyesight in raptors, and thinking about their perception of images in relation to our own. Retrieved from Observations of Graham Hadfield; Reflections of Our World:
Hage, J., Elgar, D., Butin, H., & Dickson, A. (n.d.). Gerhard Richter. (J. Hage, Editor) Retrieved November 29, 2015, from Gerhard Richter:
Hale, J. (2013, 05 29). Harman on Heidegger: Buildings as Tool Beings. Retrieved from
Haraway, D. J. (2008). When Species Meet. Minneapolis: University of Minnesota Press, Minneapolis.
Harman, G. (2007, 12 08). Heidegger Explained: From Phenomenon to Thing. New York, NY, USA: Open Court. Retrieved from Retrieved from
Harman, G. (2009). Prince of Networks: Bruno Latour and Metaphysics. Melbourne: Re-Press.
Harman, G. (2010, July 23). A Brief SR/OOO Tutorial. Retrieved from Object Oriented Philosophy, Wordpress blog, by Graham Harman:
Harman, G. (2011). The Road to Objects. Continent, 3.1 171-179.
Harraway, D. (2016). Companion Species Manifesto: Dogs, People and Significant Otherness (2003). In F. Ramos, Animals: Documents of Contemporary Art (pp. 191-202). Cambridge, Massachusetts: Co-published by Whitechapel Gallery (London) and The MIT Press.
Hawthorn, E. W. (1995). Art & Visual Philosophy. doi:10.2307/3333521
Hoare, P. (2013, November 18). Leviathan: the film that lays bare the apocalyptic world of fishing. Retrieved from The Guardian Newspaper, On-Line:
Ingold, T. (2007, 2016). Lines: A Brief History. Oxford: Routledge.
Izard, C. (1993). Four systems for emotion activation: Cognitive and noncognitive processes. Psychological Review, 100(1), 68-90. doi:doi:
Izard, C. E. (1972). The Patterns of Emotions. New York: Academic Press.
Jarvis, M. (2007). Articulating the tacit dimension in art making. Journal of Visual Art Practice, 6(3), 201-213. doi:10.1386/jvap.6.3.201/1
Kant, I. (1871 (2003)). The Critique of Pure Reason. (Konigsberg): Project Gutenberg. Retrieved from
Kettemann, B. (2014). Semiotics of Advertising and the Discourse of Consumption. In B. Flath, & E. Klein, Advertising & Design: Interdisciplinary Perspectives on a Cultural Field [Transcript] (pp. 45-60). Bielefeld: Verlag.
Kovats, T. (2005). The drawing book: A survey of drawing, the primary means of expression. London: Black Dog Publishing.
Lauterwein, A. (2007). Anselm Kiefer / Paul Celan - Myth, Mourning and Memory (2nd Edition ed.). London: Thames & Hudson.
LeBuffe, M. (2015, January 27). Spinoza's Psychological Theory, Spring 2015 Edition. (E. N. (ed.), Editor) Retrieved December 10, 2015, from Stanford Encyclopedia of Philosophy (Spring 2015 Edition):
Levy, L. (2009). The question of Photographic Meaning in Roland Barthes' 'Camera Lucida'. Philosophy Today, 53(Winter, 4), 395-406.
Lucas, D., & McManus, M. (2015, August 26). Tomkins & Izard: Theories Compared. Retrieved from Tomkins Institute:
Macdonald, H. (2006, 2016 ed.). Falcon. London: Reaktion Books.
Macdonald, H. (2014). H is for Hawk. London: Jonathan Cape, Vintage, Penguin Random House.
Mackay, R., Pendrell, L., & Trafford, J. (2014). Speculative Aesthetics. Falmouth: Urbanomic Media Ltd.
Mahon, J. E. (2015, December 10). Descartes vs. Spinoza on Substance and Attributes. Retrieved from Modern Philosophy, Washington & Lee University, School of Law:
Markus, M. L. (2001). Toward a theory of knowledge reuse: Types of knowledge reuse situations and factors in reuse success. Journal of Management Information Systems, 18(1), 57-93. Retrieved December 5, 2016, from Retrieved from
Marten, H. (2106, December 16). Helen Marten: My Influences. Retrieved from
Massumi, B. (1995). The Autonomy of Affect. Cultural Critique, (31), 83–109.
Massumi, B. (2015). The Supernormal Animal. In R. Grusin, The Nonhuman Turn (pp. 1-17). Minneapolis: University of Minnesota Press.
Meillassoux, Q. (. (2009). After Finitude: An Essay on the Necessity of Contingency. London: Bloomsbury Publishing.
Merleau-Ponty, M. (1945). Phenomenology of Perception. Paris: Gallimard.
Morris, D. (1967). The Naked Ape. London: Corgi Paperbacks.
Muis, K. R., & Gierus, B. (2014). Beliefs About Knowledge, Knowing, and Learning: Differences Across Knowledge Types in Physics. THE JOURNAL OF EXPERIMENTAL EDUCATION, 83(3), 408-430. doi:10.1080/00220973.2013.813371
Mulhearn, R. (2017). Stand Still; explorations in the documentary image. A Lecture in Digital Media Processes (pp. 21-22). Huddersfield: University of Huddersfield.
Nagel, T. (1974). What is It Like to Be a Bat? In F. Ramos, Animals: Documents of Contemporary Art (pp. 127-131). London: Whitechapel Gallery & MIT Press, Cambridge, Massachusetts.
Nathanson, D. L. (1992). Shame and Pride: Affect, Sex, and the Birth of the Self (Chapter 2). New York: W.W. Norton. Retrieved December 10, 2015, from Wikipedia:
Nathanson, D. L. (1998, March 15). From Empathy to Community - The Annual of Psychoanalysis, 25. (J. A. Winer, Ed.) Retrieved November 10, 2014, from The International Institute for Restorative Practices:
Nietzsche, F. W. (1908). Human, All too Human. A book for free spirits. (A. HARVEY, Trans., & P. Gutenburg, Compiler) Chicago, United States: CHARLES H. KERR & COMPANY. Retrieved November 23, 2015, from
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Oxford University Press. (2016, September). Situation, n. Retrieved from OED Online: (accessed December 08, 2016)
Paans, D. (2016, January 13). Do you know what a dinosaur looks like? (Translated). Retrieved from De Correspondent:
Parkin, A. J. (2000). Essential Cognitive Psychology. Hove, East Sussex: Psychology Press Ltd.
Perry, G. (2010). History Documents, Art Reveals: Creative Writing as Research. In E. Barrett, & B. Bolt, Practice As Research: Approaches to Creative Arts Enquiry (pp. 35-45). London: I. B. Taurus & Co Ltd.
Petherbridge, D. (2010). The primacy of drawing: Histories and theories of practice. New Haven, [Connecticut]; London: Yale University Press.
Pigeon, D. S. (2016, December 10). White Noise Generator. Retrieved from MyNoise.Net:
Pollock, G. (2010, September 16). EURAMERICA Vol. 40, No. 4 (December 2010), 829-886. Retrieved from Institute of European and American Studies, Academia Sinica (
Pornpattananangkul, N., & Chiao, J. Y. (2014, April 1). Affect Control Theory and Cultural Priming: A Perspective from Cultural Neuroscience. (N. Pornpattananangkul, Ed.) doi:10.1177/1754073913512001
Powell, A. (2017). Post-Production - Lecture. Post Production Part 1; theorising your practice. Huddersfield: University of Huddersfield.
Prideaux, S. (2005). Edvard Munch: Behind the Scream. New Haven: Yale University Press.
Rancière, J. (2006). The politics of aesthetics: The distribution of the sensible. New York; London: Continuum.
Ratcliffe, D. (1980). The Peregrine Falcon (1993, 2nd Edition). London: T & AD Poyser Ltd.
Ribot, T.-A. (1897 (Republished 2012)). The Psychology of The Emotions (1897). London: Forgotten Books (Classic Reprint Series).
Sebald, W. G. (1995, Trans. 1998). The Rings Of Saturn. London: Vintage Books.
Shaviro, S. (2014). The Universe of Things: on Speculative Realism. Minneapolis & London: The University of Minnesota Press.
Smith, C. (. (1962). Phenomenology of Perception. New York: Humanities Press.
Strawson, P. (2002). Bounds of Sense: An Essay on Kant's Critique of Pure Reason. London: Routledge.
Sullivan, G. (2009). Making Space: The Purpose and Place of Practice-Led Research. In H. Smith, & R. T. Dean, Practice-Led Research; Research-Led Practice in the Creative Arts (pp. 41-66). Edinburgh: Edinburgh University Press.
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Tomkins, S. (2014). Affects evolved as the system of motivation for human beings. Retrieved from
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Tucker, V. (2000). The Deep Fovea, Sideways Vision and Spiral Flight Packs in Raptors. North Carolina: Department of Biology, Duke University.
Verstegen, I. (2014). Dispositional Realism and the Specificity of Digital Media. Leonardo, 47(2), 47(2), 159-163. doi:10.1162/LEON_a_00733
Wallace, S. (2016, October 22). Object Lessons at the Hepworth, Wakefield: The Importance of Sculpture. Retrieved 11 21, 2016, from The Guardian News Paper, Art & Design section:
Wallace, S. (2016, 11 20). The Hepworth Prize for Sculpture. Retrieved from The Hepworth Gallery, Wakefield:
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