Working through the ideas of stripping out the superfluous detail associated perhaps with human perception and phenomena, the drive towards recreating not just landscape topology, but generally the black-and-white line drawings of what could conceivably be some halfway mediation between human and Peregrine perception. I've been thinking about some of the images that I was able to capture during the Easter holidays at Devil's hole in Jersey, on the more remote North/Northeast coastline. I came across these sheer cliffs almost by accident whilst touring the island with my wife. Imagine my joy when I looked up and saw a pair of peregrines, falcon and tercel, circling above the cliffs. Whilst I was able to take a few photographs using the camera built into my mobile phone, the birds were a little too far away by the time I was able to extract the phone from my pocket. Therefore, I've been left with some nice shots of the coastline and the habitat in which the peregrines live. I later even saw what appeared to be a falcon with Jessies (Falconer's short leather straps), attached to its legs, that appeared to be independent and becoming wild again. At least there was no sign of a falconer and the bird's freedom seemed evident.
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Photograph G.P. Hadfield (Apr 2017), 'The Devil's Hole', Jersey. |
After coming home and processing one of the photographs digitally have been playing with the idea of vectorised graphics (through the use of Adobe Illustrator CC), and how I can strip out the superfluous details of colour and yet retain a semblance of edge recognition from the drawings.
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Post-production photograph G.P. Hadfield (Apr 2017), 'The Devil's Hole', Jersey.
Digitally rendered with edge line detection. May 2017. |
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Photograph G.P. Hadfield (Apr 2017), 'The Devil's Hole', Jersey. |
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Post-production photograph G.P. Hadfield (Apr 2017), 'The Devil's Hole', Jersey.
Digitally rendered with edge line detection and colour removed. May 2017. |
At the moment, I still feel that a truly digital shortcut towards recreating the visual images is less likely to work. There is much less sense of expression in the work compared to hand-crafted drawing, even if the drawing is made on a digital tablet. Nevertheless, I need to keep experimenting and reflecting on what seems to be working for me, and that which doesn't and should be abandoned perhaps. I just need to keep going!
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